![]() ![]() One very common issue that I see when folks on my photography course send me questions about snow photography, is that their images are coming out darker than they expect, with photos of snow looking gray rather than white. Use the Exposure Compensation Feature for Snow Photography Most DSLR and mirrorless cameras do, but not all compact or smartphones have manul focus. Note that not all cameras and lenses support manual focus. If so, you can use this to over ride the autofocus system and get a sharp image. If you are still struggling to get focus using the automatic focus system, then check if your camera has a manual focus option. So instead of full autofocus, you might change to a single point and focus there. You might need to change the camera’s focus mode and specifically select the object you want it to focus on in order to get the results you require. With snow, it might be a tree, or a person, a building, an animal, or any object that stands out against the white snow. With the case of a blue sky, this might be something like a cloud. In both these scenarios, the solution is to find something other than a uniform expanse to focus on. You will often have the same problem if you try to take a picture of a wide open blue sky-the camera has nothing to lock onto. A large expanse of white snow tends not to have much contrast, and so the camera doesn’t have much to lock onto. The focus function normally require a contrasting area to focus on-any area of the scene with contrasting elements. The reason for this is down to the way that most camera focus systems work. Or you might get an out of focus shot which isn’t usable. In a worst case scenario, it won’t be able to auto focus at all, and you won’t be able to take a photo. One thing you might notice when shooting in snow is that your camera or smartphone might struggle to lock focus, with the autofocus hunting backwards and forwards. ![]() When I’ve done winter photography in the artic circle, sometimes I’ve found that the few hours of daylight are all golden all the time, which made for fantastic photography opportunities. ![]() However, it does carry the advantage that sunrise / sunset are closer together, and you can usually capture the golden and blue hours without having to get up really early or go to bed really late. This means that the days will be shorter, giving you less time for daytime photography. It’s also worth keeping in mind when planning your snowy photography shoots that you will generally be shooting in the winter season in most destinations. So a warm sunset or cool pre-dawn tones can look really wonderful as part of a snowy scene. This is because snow is very reflective, and tends to amplify and reflect light well. These times of day are good for photography in general, but are particularly good for shooting snowy scenes. Just after the sun rises and before it sets, the light is very yellow and warm in tone, and this period is known as the golden hour. In the early morning and late evenings, when the sun is just below the horizon, the light is very blue and cold in tone, and this time is known as the blue hour. ![]() Through the course of the day, the light changes in both its direction and color. If you’d like some tips, see my guide to composition in photography to get you started. There are lots of compositional tips and tricks you can use to improve your image, from things like the rule of thirds through to use of color, leading lines and so on. So you need to think about what exactly your image is of – the subject – and compose around that. Whatever type of camera you have and regardless of the subject or scene, the composition of your image should always be one of your key considerations.Ĭomposition in photography is all about deciding what is going to be in your image, and how the different elements of the image work together. Here are some tips for getting the best photos in snow, whatever your camera.
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